“There's something inside me. I know it.”
Provisional dossier. Metrics derived from the systematic pipeline (method v1.1-metric-fix); curatorial reading pending. The shape below is what the open record has produced so far — read it as a draft, not a verdict.
Resolved — wide, durable agreement across critic and audience record.
Simmering — disagreement exists but has not hardened.
Persistent — returning regularly to cultural attention.
Installed — the work recurs without invitation; it has moved in.
Layered — sustained interpretive activity; the film is being decoded.
Formed — a distinct custodial community exists and is active.
Risky — sustained formal experimentation that tests viewer tolerance.
Extreme — the work moves bodies; crying, panic, awe, nausea in the record.
Open — most viewers can enter without special context.
Permeating — imagery and language used by people who have not seen the work.
Terminal — no documented lineage; no works cite it as formative.
Overturned — the work's cultural position is substantially different from its initial reception.
Provocative — content was considered transgressive; controversy around what it showed or said.
Saint Maud (2019) directed by Rose Glass. Curated baseline artifact for metric calibration and systematic scoring initialization.